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He joins the college at which Paresh Rawal is the principal, and turns into a menace to him. Shankar decides to complete MBBS and become a doctor to live up to his parent’s wishes. Finally the drama comes to an end, as one of the doctors in the locality Lingam ( Paresh Rawal) tells Shankala’s parents the truth when they try to strike an alliance between their son and his daughter Sunitha ( Sonali Bendre). Every year when they come to the city to visit him, he pretends to be a doctor and makes them happy. But, he lies to his old age father ( Girish Karnad) that he is a doctor in the city. He extorts money, kidnaps and roughs up people for money with the help of his faithful sidekick ATM ( Srikanth). Shankar Dada ( Chiranjeevi) is a good hearted don in Hyderabad who runs away from home at a young age. Paranjee directs this flick.This film is one of the most highly anticipated and the biggest disaster in 2004. This film stars Chiranjeevi in the lead role and Paresh Rawal, Sonali Bendre, Girish Karnad, and Srikanth. "Shankala Dada MBBS" is a 2004 Telugu film which was a remake of Hindi blockbuster " Munnabhai MBBS". Quite simply, Shankar Dada MBBS's songs have a therapeutic and cathartic effect on his fans.Followed_by = " Shankar Dada Zindabad" (2007) Vinyakam (who is also an actor -father of the hero in Donga Dongadi) and Sumangali have shown what gusto and gumption do to a song. If you give the right song to him, it will surely be a hit. Manika Vinayagam has a voice that is unique in the industry. The duet has a dulcet feel, yet is backed by some inspired rhythm movements. Though his range is constricted, Sami is a master in anything within his range. And in this number that he shares with Kalpana he is at his veritable best. There is a pronounced nasal twang to his numbers. There is a touch of maudlin to the lyrics, but the song's tune lifts it to great heights.Īdnam Sami is Adnam Sami. No doubt there is plenty of all elements in this number sung by Chiru (a small part), Devi Sri Prasad and KK. Though this is a fun song, underlies a profound philosophy.Ĭhiru himself reckons this to be the song of the film. The orchestration, especially the rhythm part, is certain to make Chiru's fans dance in aisles. Karthik and Malathi, both uninhibited singers, do wonderful justice to Veturi's words with some brave singing. The background chorus is also good, gelling beautifully with the mood and the moment.Īs far as item number goes, this is straight out of the top drawer. The song sets the tone for the album and the movie. Mano, the long-forgotten man of the muisc industry, makes a strong comeback, vocalizing the title and the subsequent lyrics with power and passion. On its own, the songs are only adequate but when you take into account the film and Chiru, they are just what the doctor ordered - perfect. And by the time you come to the end of the cassette, you kind of have a picture of the movie.Īnd that may be the success of the young music director Devi Sri Prasad who has strained very hard to live to the expectations of Chiru's fans. The sharp rhythm and the infectious beat (for him to break into his inimitable dance movements) are certainly high. The songs of his forthcoming release Shankar Dada MBBS are typically mass entertainers. It is essential to remember this background before getting to evaluate any of his films or their songs. His films are unabashed entertainment - with a reason. He doesn't mind going a bit easy on artistic elements just to satisfy his fans. But, to the eternal credit of Chiru, he has always managed that. It is almost impossible to live up to such expectations. The kind of expectations that his legion of fans have for his films and their songs is staggering. Chiranjeevi is a prisoner to his image and his fans.